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So transitions and vibrato are added in post processing.ĭespite all this work, the quality of the vocals is probably not to the level that a typical BiaB user would consider it. Keep in mind that because of the limits of pitch shifting, the entire list has to be recorded at multiple pitches.Īnd those cool legato transitions that I mentioned at the beginning? They aren't part of Vocaloid, because adding those would make the reclists extraordinarily long. But it also means recording a much longer reclist.
BLEND VOWELS IN VOCALOID 4 FULL
The use of VCV (vowel/consonant/vowel) recordings replaced VC, and results in a much smoother result, because the full transition is captured. Consonants blends such as CR, BL, STR also need to be included, so the reclists (recording lists of sounds) gets to be longer. The initial approach in Vocaloid was sampling transitions from consonants in and out of vowels - "VC" and "CV", and then essentially crossfade them. If you're taking the Vocaloid approach, that means sampling all the different phonemes. Things get a lot more interesting when you're trying to support all the English language. I've tried creating "ooohs" and "aaahs" with Vocaloid, but the voices that I've got are so processed, they don't really blend well. But the built-in audio harmonizer in BiaB also work well, too - that's what what I use when I need background vocals. If you don't mind not having legato transitions, I think "ooohs" and "aaahs" would work quite well with BiaB as currently designed - witness the string and brass parts that we've got. But that's not part of how BiaB currently works, and I don't know that PG Music wants to get into the solo instrument business.īy the way, Relivox takes exactly that approach, and it sounds really cool. So for "oohs" and "aahs", it would work quite well. The same holds for other instruments that use legato transitions, such as cellos and voices. Combine that with some crossfades, and you'll have an excellent instrument. You don't need to sample every pitch transition, but you've got to sample quite a lot. The "magic" of the instrument is in the legato transitions - the "slides" from one pitch to the next. I purchased a copy, and converted it over to. However, to be effective they'll need to add support for legato transitions, which BiaB doesn't have yet.įor example, check out Embertone's Chapman Trumpet. Well, I already know I am nuts but that is beside the point. I know there is a LOT of stuff out there so maybe I have missed it, but if this is easy, it could be a nice addition to the PG libraries. And you could CHOOSE a specific type of vocalist, male or female. Couldn't you just bring in the vocal equivalents of say a Brent Mason and just say "Here, sing every note of your range in every key as an Oooh or an Aaah." Then you would have a choir library that would certainly sound more realistic than the stuff I have heard so far. BIAB has already sampled THOUSANDS of instruments. Now, for ideation purposes: let's say a female soprano is a violin, an alto is a viola, a tenor is Violin 2 and a male bass is cello. female seems to be driven by the range you are in, in the ones I have used. Garritan and other soft synth driven, sample-based tools have "choirs" with "Ooohs" and "Aaaahs" as your choices, but the production of male vs. On the Venn diagram, the union of BiaB users and Vocaloid lovers probably isn't that large, so I don't think there's really that much demand. Courses for horses and all that.īut I think most BiaB users wouldn't consider it a viable option for vocals. For example, the recently "Dax" and "Daina" English voices are pretty awful IMNSHO, but there are a lot of people who love how realistic they sound. This doesn't seem to bother Vocaloid users that much. One of the biggest problems with all the approaches is a lack of expressiveness - while the output can be quite good, it's never as good as an actual singer. BiaB already offers access to Sinsy, and it doesn't seem to have caught the imagination of users. It's currently one of the most popular approaches for vocal synthesis.